When life was loud

1999 LOUD TIMES: Interview with Corey Taylor and Chris Fehn July MusicGUIDE - Albums 2000 Kamikaze interview  (Transcription) Interview (MTV Australia) (Transcription) Clown & Joey Interview - Much Music Canada (Transcription) February Who are those masked men?  August Slipknot interview - Reading Festival, August 2000 (Transcription) September  Slipknot Interview - Corey Taylor & Shawn Crahan (2 ROCK) (Transcription) November Slipknot Wreck England 2001 August Send In The Clown I AM NOT A NUMBER, I AM A FREE MAN  ILL BEHAVIOUR 2002 March "Only One Guitar Has What It Takes! Introducing the Mick Thomson Signature Model" May Secret of a DJ called Starcream July LIVE WIRES: Slipknot  2003 December  HERO WORSHIP: Mick Thompson - Slipknot's #7 2004 TOAZTED - Interview with Paul Gray  March Live@Launch: Your favorite artists caught on camera - SLIPKNOT: Interview with Joey Jordison and Paul Gray on the 'Duality' music video June Who's the daddy in ...

b. 07.12.1977 Nationality: British Genre: rock Without Howard’s supermassive beats, Muse would be as inconsequential as a puff of space dust. The 31-year-old wizard is the rock ‘n’ roll substance to Matt Bellamy’s operatic whimsy; an out-of-this world technician who plays with a human passion, and a real beacon of pedigree amongst his hit ‘n’ hope peers. Essential downloads: Muse: Assassin; New Born; Apocalypse Please; Butterflies And Hurricanes; Stockholm Syndrome Link to original article (Music Radar) Index of all Muse articles

Portsmouth Evening News  Monday 5th June 2000 (Pyramids Centre, Southsea)   Muse have played it slow, played it cool, and played it right. They have avoided any 'next big thing tags, refused to take part in any overhyped nonsense (Gay Dad anyone?) and simply got on with becoming, er,, the current big thing.  A series of singles (each selling more than the last), a debut album that's sold thousands by word of mouth, and months and months of gigging (including, gasp, America)  It all sounds so old-fashioned in a world in which bands are dropped if their second single doesn't go Top 10, but it is working.   Muse today are a much more confident proposition than the promising one which they visited Portsmouth many times in the support slot and headlined at the Wedgewood Rooms.  This Pyramids show was not just a sell-out on the basis of passing interest, but a triumphant gathering of fans who know and love Muse - they jumped, sang and crowd-surfed to ev...

4th June 2013 Q: Hi Dominic DOMINIC: Hi. How are you doing? Q: Fine. You? DOMINIC: Great, thanks.  Q: Great. Good. Nice to be in Amsterdam, of course. DOMINC: Always nice to in Amsterdam, yes.  Q: How many times have you been in Amsterdam now? DOMINIC: Ah...I don't know....loads of times over the years. I mean...umm...I think my first time here was when I was probably about eighteen. We kind of came over for a friends eighteenth birthday party as many people do to Amsterdam, and came back a few times just for pleasure before we actually got the chance to play here with the band. But Jesus, I don't know, probably you know, ten times as a guess. Maybe more.     Q: Maybe more. Okay well, first of all start the interview with an easy question, I think, what is the first album that you bought, being a little kid?  DOMINIC: Umm I think the first album that I bought...pretty sure it was...was Del La Soul "Three Feet High and Rising". Which I think is late eighties...

Modern Drummer March 2007 - Volume 31 • Number 3 After touring for most of 2004 and 2005 in support of their breakthrough release, Absolution, southpaw* drummer Dominic Howard and his bandmates in British rockers Muse spent six months sequestered in a studio in southern France, putting together Black Holes And Revelations. It's the group's most dynamic and diverse record to date.  This time around, the band dove into new musical territory, including experimenting with various electronic instruments. Says Dom, "We had a lot of synths, drum machines, and vintage gear in the studio, so a lot of the tracks were born out of messing around with those instruments."  For his parts, the drummer approached each track individually. "The process in the studio is trial and error," Dom admits. "It was never: Let's set up a drumkit, get sounds, and record twelve tracks. It was a lot of messing around, changing mics and drums, and the moving kits to different parts...

Guitar Magazine  June 1997 (Volume 14, No 8)  Unless you’ve been able to keep up a regular guest spot on 90210 or convince a world-famous act that their North American tour needs an unsigned, unknown, and seldom seen act from Boise to open for them, you probably fall into the category of acts that need the attention of people who can help forward their career.  There is a glut of bands out there. Some are more professionally savvy than others. If you are career minded—which does not connote selling out or compromising—you are trying to move your act to the next level, and there are several paths you can take toward that goal.  To start with, there is the traditional approach that we covered here last month: demoing and sending tapes to managers and/or attorneys to have them shop for you. You can also send material directly to A&R persons whose label allows unsolicited tapes. And there have certainly been success stories with the latter approach. According to Joe ...

Aberdeen Evening Express  Thursday 7th June 2001 Muse - New Born  DIFFICULT second album? No such thing for Muse as this second cut from the forthcoming Origins of Symmetry keeps true to the thrashing rock sounds they're known for. Anyone who caught them trashing the stage on CD:UK at the weekend will agree. Link to original article (subscription to British Newspaper Article required to view)