LIVE WIRES: Slipknot

Guitar Player
July 2002

 Slipknot guitarists Mick Thomson and James Root may look like friends of Freddy Krueger, but concealed beneath the masks are two players whose distinct styles are an essential part of the group's furious, multi-platinum-selling sound.
 On the road, Thomson's arms of choice are four В.С. Rich guitars loaded with EMG-81 (bridge) and EMG-89 (neck) pickups. Two Warlocks are strung with Ernie Balls, gauged .011, .015, .018, .028, .038, .058 for dropped-B tuning, and an ST and a flame-maple-topped Warlock are strung .012, .016, .020, .030, .040, .068 for dropped-A tuning. He uses Dunlop Jazz III picks that he scores on the sides for a better grip.
 Thomson runs two wireless systems—a Sony WRR-800 and a Sennheiser E-S ries—to simplify guitar changes. Both wireless receivers are patched to a Whirlwind Multi-Selector, and routed through a Boss NS-2 noise gate to a Custom Audio Electronics 4x4 Audio Controller. Next, a Whirlwind A/B/Y box is used to split the signal to two VHT Pittbull Ultra-Lead heads. Two Boss GX700 multi-effectors are inserted in the effects loops of each amp, and an Electro-Harmonix Bass Balls envelope follower is connected through a loop in the C.A.E. 4x4. One VHT head powers two Carvin 4x12 cabinets loaded with Carvin BR12 speakers, and the other powers an offstage Randall Isolation box loaded with a Carvin BR12 speaker. Rack power and light are furnished by a Furman PL-Pro, and Thomson's tech, Kevin Miles, uses a C.A.E. RS-10 master controller to manage all amps and effects from offstage. 
 Root favors four custom-built Paul Reed Smith Custom 24s loaded with EMG-81 (bridge) and EMG-85 (neck) pickups, single volume controls, and 3way pickup selectors. Root uses the same Ernie Ball set as Thomson for dropped-B, but chooses .012, .016, .020, .034, .044, .064 for dropped-A. He prefers D'Andrea 1mm picks. 
 Root's guitar signal is transmitted to his rack via a Shure UHF wireless system patched to a Whirlwind Multi-Selector, and then to a Korg DTR-1 tuner, an ElectroHarmonix Micro Synthesizer, and a Boss NS-2 noise gate. Finally, a Whirlwind Selector A/B/Y box disburses the signal to two Mesa/Boogie Dual Caliber DC-10 heads. One DC-10 powers a pair of Boogie 4x12 cabinets loaded with Celestion Vintage 30s, while the other DC-10 powers a Randall Isolation box also loaded with a Vintage 30. Rack power and light are provided by a Furman PL-Plus.

(Article by Lisa Sharken. Thanks to Kevin Miles and Martin Connors for providing technical info.) 

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