Blog with transcribed articles/interviews/articles on equipment on Slipknot (original nine era), and Muse. An odd mixture perhaps...but it just kind of happened that way...
You are welcome to use any part of this blog, all I ask is that you give me credit.
Advert for Muse at the nec arena, Birmingham 2003
Get link
Facebook
X
Pinterest
Email
Other Apps
Dudley & District Chronicle -
Thursday 4 September 2003
Muse (via Clear Channel Entertainment) appeared on the 3rd December. Their support was billed as "plus special guests". Tickets were £15.00
The Red Bulletin August 2015 They’ve sold more than 17 million albums, won a Grammy and go on huge sold-out tours; Muse have now been superstars and critics’ favorites since 1999. Lead vocalist and guitarist Matthew Bellamy, one third of the British band, explains why they won’t settle for second best, whether we’re talking instruments or record contracts. Q: What does it feel like being heralded as the Jimi Hendrix of your generation? MATTHEW: Compliments like that are flattering, of course, but they’re total nonsense. Q: But they’re not baseless. You’ve revolutionized the guitar like Hendrix did back in the 1960s. MATTHEW: I’ve been playing the guitar since I was 11. The better I got at it, the more constrained I felt by what it could do. No wonder most creative people now make music on computers. That’s why I’ve made a guitar for the 21st century. Q: What’s your guitar capable of? MATTHEW: It’s got a built-in touchscreen linked directly to a computer, which gives the musician a comp...
Get On The Bus c.April 2026 SLIPKNOT SID: So everyone else, I think...we weren't all born in Des Moines, but we grew up there. Paul went there as an adolescent. Um, but he was, you know, he went there when he...I think he was already in his teens, or close to it. So, he already had a good sense of who he was, and what kind of music he liked by the time he went to Iowa, and he had that LA influence. So, he already knew he was like 'the DJ is what's up'. We need a DJ. And he'd seen me scratching. So, he was just like 'this is amazing'. And then everyone, they started talking to and asking, like 'who...who do we get for a DJ?'. Everyone was like, 'Sid'. Q: Right SID: 'Sid's the guy'. You know, so I don't know. I just...I..it just happened like that. You know what I mean? I went over there, and some of the guys, were like 'I don't know', cuz they were just like straight metal heads. But once I started jamming with th...
Total Guitar December 2003 (Issue 117) As anthemic as it is experimental, Absolution is Muse's greatest achievement yet. Matt Bellamy tells us about taking chords apart, getting the ultimate tone, and the making of a masterpiece. It starts with the sound of massed armies approaching, and ends with a single dying power chord. It's called " Apocalypse Please " and it's the opening track on Muse's extraordinary new album, Absolution . From here on in it's a non-stop lunatic ride through some of the grandest, most unashamedly epic guitar music ever created, taking in mournful death marches ( Blackout ), sound-and-fury riffing ( Stockholm Syndrome ), as well as thunderous end of the world anthems ( Time Is Running Out ). In the months leading up to the album's release, Matt Bellamy told the press that the coming Muse record would be more 'uplifting' than previous efforts. We needn't have worried. From it's portentous opening bars to its...
Comments
Post a Comment